In this video, we attend the opening of mixed-media artist Jon Kessler’s current solo exhibition at the Swiss Institute Contemporary Art in New York. Titled The Web, the show is a large-scale immersive and interactive installation the visitor can participate in by downloading a special iPhone app (Jon Kessler’s The Web). The video provides you with a walk through the exhibition on the opening night and statements by Siebe Tettero (Director, Métamatic Research Initiative Amsterdam) and Gianni Jetzer (Director, Swiss Institute Contemporary Art New York) who talk about the concept of the exhibition. The show runs until April 28, 2013.
Jon Kessler’s The Web is a commission by the Metamatic Research Initative. The installation will travel to Museum Tinguely where it will be part of the exhibition Metamatic Reloaded. New art projects in dialogue with Tinguely’s drawing machines that runs from October 2013 to January 2014. The show will also feature works by Marina Abramovic and Thomas Hirschhorn.
Jon Kessler: The Web. Opening reception and interview with Siebe Tettero (Director, Métamatic Research Institute Amsterdam) and Gianni Jetzer (Director, Swiss Institute Contemporary Art New York), March 4, 2013.
Right-click (Mac: ctrl-click) this link to download Quicktime video file.
Jon Kessler: The Web Livestream (37:34 min.):
The Web is an immersive installation that addresses the significance of the Internet and mobile devices in our lives while simultaneously examining the role of the viewer. The idea for the piece came to Jon Kessler on a New York subway ride when he realized that at least half of the riders were speaking on their cell phones, sending text messages, playing video games, or otherwise immersing themselves in their networked mobile devices.
The Web offers both an accessible and impermeable user experience, the title referencing a closed-circuit network accessed by viewers. Upon entering the exhibition, visitors are invited to download an iPhone app that feeds their images in real time onto surrounding monitors. Simultaneously pictured and reframed in Kessler’s sculpture Infinite Regress, spectators render themselves as nodes within a feedback network, the space a physical support for their virtual daydreams. Kessler’s creation broadcasts collected data, targeting viewers with images of themselves, their experience, and ultimately enticing input and generating output.
Much like the Internet itself, The Web acts as both a sentient organism and an environmental space: it facilitates the internal circuit between viewer, camera, and monitor, while simultaneously doubling as a sprawling architectural structure. While The Web conceptually foregrounds the role of networked technologies and our dependence on them, it is in many ways a tribute to direct experience. The viewer of The Web is repositioned among fellow viewers, with the feeling of sensory dislocation condensed into one geographic location””the exhibition space””and recast as a form of shared collective immersion.
Jon Kessler’s work explores the connection between bodily movement and technical apparatus, often deploying mechanisms and video to facilitate this relationship. He has had solo exhibitions at MoMA PS1, New York; the Carnegie Museum of Art, Pittsburgh; the Phoenix Kulturstiftung; Sammlung Falckenberg, Hamburg, Germany; the Louisiana Museum of Moderne Kunst, Copenhagen, Denmark; and most recently, the Fisher Landau Center for Art, New York. Kessler has been awarded the Guggenheim Fellowship as well as honors from the Foundation of the Performing Arts; he is a professor at Columbia University’s School of the Arts, Division of Visual Arts.
The Métamatic Research Initiative (MRI) stems from the fascination of art collectors Allard and Natascha Jakobs with the work of Jean Tinguely, and a more general interest in questions about the authorship of worksofart.
MRI strives to deal with issues that arise from the work of Jean Tinguely, in particular his Métamatic works. By initiating a variety of assignments for artists they instigate a process of artistic research resulting in contemporary works addressing these issues.
The exhibition will travel to Museum Tinguely, Basel, in October 2013.