Roberts Projects presents “Mojotech,” a significant altar assemblage by artist Betye Saar, as part of Getty’s PST ART: Art & Science Collide initiative. Originally created during her 1987 residency at MIT, “Mojotech” explores the relationship between modern technology and ancient spiritual practices. Saar juxtaposes ritual objects and symbols with electronic components, highlighting the metaphysical aspects of contemporary technology. This fusion invites viewer participation, allowing them to leave personal offerings at the altar, reflecting African sculpture traditions that incorporate diverse cultural “power” elements.

The exhibition will also showcase archival materials from Saar’s MIT residency, including photographs, sketches, and initial communal offerings, linking the original installation with its current presentation. These artifacts emphasize the evolving dialogue between art, technology, and spirituality. Betye Saar, born in 1926, has received numerous accolades and honorary doctorates, establishing her as a leading figure in contemporary art. Her work continues to challenge and inspire discussions around cultural identity and the interplay of technology and spirituality.

Betye Saar: Mojotech / Roberts Projects, Los Angeles. October 9, 2024.

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