“Frontier Ballads” at Marianne Boesky Gallery in New York is Barnaby Furnas’s seventh solo exhibition with the gallery. Furnas’s show features new paintings that deal with American identity. The new body of work also introduces new techniques, as the paintings are being created in part through new robot technologies. This video provides you with an exhibition walkthrough on the occasion of the opening reception on 1 March 2018.
Barnaby Furnas was born in Philadelphia, Pennsylvania in 1973. He studied at the School of Visual Arts in New York and received a BFA in 1995 and then studied at Columbia University in New York, receiving an MFA in 2000. Furnas lives and works in New York. He has had numerous solo exhibitions in the United States and abroad, including at the Contemporary Art Museum St. Louis, St. Louis, MO (2015); Victoria Miro Gallery, London, UK (2013); Museum of Contemporary Art Denver, Denver, CO (2009); and the Baltic Centre for Contemporary Art, Gateshead, UK (2005).
Barnaby Furnas: Frontier Ballads. Solo Exhibition at Marianne Boesky Gallery, New York. Opening Reception, March 1, 2018.
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Marianne Boesky Gallery is pleased to present Frontier Ballads, Barnaby Furnas’s seventh solo exhibition with the gallery. The exhibition will feature new paintings that both encapsulate and question deeply-held mythologies of American identity, from representations of the rugged terrain of the West and the legendary explorers who settled it, to symbols of patriotism and those marking the country’s image of wholesomeness. This body of work also marks a new phase in Furnas’s ongoing experimentations with process and technique, as the paintings are being created in part through new robot technologies developed to his specifications.
In addition to the opening reception, the gallery will host a special moderated discussion, on March 10, 2018, between Furnas and artist Carroll Dunham, who is organizing a separate exhibition of Furnas’s portraits for the Steep Rock Arts Foundation, in Roxbury, CT, opening March 4, 2018.
The new paintings are created through Furnas’s characteristic play with figuration and abstraction. Lines, color blocks, geometric shapes, and pools of paint at once fragment and build up the overarching scenes, creating kaleidoscope-like effects that amplify the sense of motion and heighten the sensory impact of the work. A methodical investigation of tools and materials has served as a connective thread throughout Furnas’s practice, yielding to a range of aesthetic breakthroughs in his work. His diverse cache of painterly techniques, which includes pouring, splashing, patterning, and even burning converge to create a truly tactile experience of the picture plane.
This ongoing study led to a partnership with the start-up, ARTMATR, which is exploring and developing new technologies for artists with the support of MIT Media Lab. Working with Furnas, ARTMATR developed multiple hardware and software devices, augmenting the many techniques Furnas has developed over the years. These include effects achieved with hypodermic needles, pours, masks, and spraying devices. The latest additions supplied by ARTMATR are a series of digital devices for recording Furnas’s unique marks, customized software, robotics, and modified digital printing technology. These versatile tools allow Furnas to complete his large-scale canvases with a greater breadth of creative options and attention to myriad details. Furthermore, this experimentation with new technical approaches extends Furnas’s thematic complexity around the ideas of mirroring, reflection, and movement. Together, these tools offer Furnas the ability to extend his vision beyond the constraints of the human hand. Furnas is also engaging in a wider set of ideas around human-machine capabilities, working with ARTMATR to create further technologies to support his practice.
For much of his career, Furnas has dealt with the epic—battle scenes, biblical tales, natural disasters, and moments of human triumph and failure. His paintings roil with vibrant action that lives just beneath and atop the surface, contained and fractured by the two-dimensional confines of the canvas. Confronted with the tumultuous 2016 presidential election, Furnas began probing at a subject that has itself been built on the tension between the real and perceived: American identity. From large-scale portraits of wooly buffalos to scenes of travelers traversing distant lands to images of Midwestern choir singers, Furnas’s new paintings exude a sense of nostalgia that simultaneously feels at the brink of rupture—at any moment those idealized views will crack from the energy and emotion underneath.
Throughout his career, Barnaby Furnas has tackled the more dramatic themes of the human condition, from monumental historic events to the conception and experience of mythic and religious iconography. He has had numerous solo exhibitions in the United States and abroad, including at the Contemporary Art Museum St. Louis, St. Louis, MO (2015); Victoria Miro Gallery, London, UK (2013); Museum of Contemporary Art Denver, Denver, CO (2009); and the Baltic Centre for Contemporary Art, Gateshead, UK (2005). His work may be found in the permanent collections of the Whitney Museum of American Art, New York, NY; the Museum of Modern Art, New York, NY; the Contemporary Arts Museum Houston, Houston, TX; and the San Francisco Museum of Modern Art, San Francisco, CA, amongst others. Furnas was born in Philadelphia, PA in 1973, and currently lives and works in New York City.